Based on the confirmation of fiction components in the origin of the portrait, as well as its historical relationship with coat of arms and masks, we find similarly in autobiography a prevalence of rhetorical devices over elements of reference. The avant-garde, playfully assuming these facts, sets a precedent for the modern practice of autofiction. The common thread of this journey is the allegory, which we will see illustrated in two Argentine writers: Macedonio Fernández and César Aira.
García, M. (2017). Sua cuique persona: Portrait and Avant-garde in the Configuration of Modern Autofiction. Meridional. Revista Chilena De Estudios Latinoamericanos, (9), pp. 261–282. https://doi.org/10.5354/0719-4862.2017.47402
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